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ETH Ambassadors

Stories from around the Globe

Shanghai's skyscrapers across the river.

Zurich or Shanghai? Commuting between East and West

Every time I come back to Zürich I feel truly happy. I enjoy breathing the fresh air, swimming in the lake, watching trams pa...
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Patricia Heuberger-Meyer

Engineering for Development in Cape Town

Towards a climate of change Do you know the twisting feeling in your stomach when venturing into the unknown? That mixture between...
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Patricia Heuberger-Meyer
In front of Gur-e-Amir, Timur’s mausoleum in Samarkand, one of the former capitals of the Silk Road

My Tesla Adventure in Central Asia

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Exploring Rural Peru with a Tablet in the Pocket

For the past three weeks, my colleague Jia and I traveled in Peru, specifically in San Marcos, Province of Cajamarca, which is a s...
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A few of the student delegates on top of Parliament House

„A Changing Landscape“ in the Australian Winter

Just as the temperatures peaked at 35 degrees in my hometown of Sion in mid-June, I found myself lucky enough to board a plane tow...
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My visit to Nerd Heaven – Lindau Nobel Laureate Meeting

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Simone
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Data and Dragons: Why Science Needs Story

June 19, 2025
What do fantasy novels and algae have in common? More than you'd think...

The worlds of fiction and science can, at first glance, seem like opposites. One runs on numbers, analysis, and evidence; the other on dragons, metaphors, and made-up words. It feels like asking the age-old question: How is a raven like a writing desk? And yet, I hope to convince you they have more in common than you might think.

Since I can remember, I’ve lived at the interface of these two worlds—one foot in scientific research, the other in speculative fiction. For a long time, I thought of them as separate passions. Chemistry on one side, creative writing on the other. Two hemispheres. Two boxes. But, as anyone who’s tried to compartmentalize a chaotic brain will know, things tend to jump the fence.

Intricate, armoured, and microscopic — these aren’t alien spacecrafts, they’re coccolithophores. Each one builds an elaborate shell of calcium carbonate, like nature’s own science fiction. Who needs dragons when you’ve got algae with armor? Photo credits: S. Zweifel and ETH ScopeM

It was during my time at ETH Zurich, in Professor Roman Stocker’s Environmental Microfluidics lab, that I began to see the crossover more clearly. My PhD is rooted in science: controls, data, microscopes, the microbial marvels of the ocean. Coming from a Chemistry Master’s, where storytelling usually meant “we replaced this hydrogen atom with a chlorine,” I expected more of the same. But something was different.

Roman emphasized narrative. Not just what we found—but why it mattered. Our work didn’t stop at “this algae changes shape in response to bacteria.” It continued with: How does this fit into the larger ecological puzzle? What story does it tell about life in the ocean?

This might look like concept art for a deep-space thriller, but it’s real. Falsely colored using scanning electron microscopy, the image reveals coccolithophores (blue) alongside their bacterial companions (pink). It might not be fiction, but it is a glimpse into another world — the microbial world, hidden in plain sight and stranger than anything we could dream up. Photo credits: S. Zweifel and ETH ScopeM

In that space, I discovered something important. Science benefits from storytelling. And storytelling—especially the kind that builds worlds from scratch—benefits from scientific curiosity, logic, and structure.

This duality has shaped both my research and my writing. Under the pseudonym S.T. White, I recently released The Way of Threadcasting (and spinning chaos)—a fantasy romp through rival empires, fractured magic systems, and time-meddling mages, with occasional help (and hindrance) from talking raccoons and winged wolves. Continuing that adventure, I’m now working on a dystopian YA novel inspired by the unhinged consequences of unchecked climate change—a thought experiment gone a little too far.

From scanning microbes to spinning magic — storytelling takes many forms. My debut fantasy novel, The Way of Threadcasting (and spinning chaos), blends myth, magic, and a fair bit of mischief. Written under the pseudonym S.T. White, it’s my other experiment — one with dragons instead of datasets. Photo credits: S. Zweifel

What might surprise some is how deeply connected these disciplines are. Scientists and storytellers are both seekers of truth, of coherence, of meaning. They ask questions. They imagine possibilities. And whether through field experiments or fictional plots, they try to make sense of a world that is always shifting.

For me, blending the analytical and the imaginative has not only made me a better scientist—it’s made me a better storyteller.

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